记得在英语中有这么一个俗语，专指一个人被另一个比自己在某方面更强势的人指使或者利用，称为being the Sb's bitch. 我个人是在看《六人行》的时候从Phoebe口中学来的。Monica 和Racheal互相争吵打架的时候，Phoebe为了制止她们便揪住他们的耳朵，两个斗士立马跪在地上疼得哦哦乱叫。在那一时刻，Phoebe说道你们两个真像我的Bitches.每次想到这个画面都忍俊不禁。

 

今天却是因为一个同事正在经历同样困境而有感而发的。他是个很优秀的人,完全是我所羡慕那种由学生向社会人转型的最优方式。可是他的苦衷却是我们所不能身体力行去感受的，而造成他们无可奈何的原因正是来自于他们的导师，一直以来被传颂的传道解惑者。

 

如今的大学教授和导师已经不能局限于满足自己的那些由教课而带来的俸禄，纷纷踏入校园以外寻找积累财富的途径。可是这种看似良性的由市场经济推动的转变也连带这它必然的副作用一并显现出来。导师在外边大包大揽，空口许诺，却把任务与责任打包转让给它的那些可怜的所谓社会下层－学生们。多么bitchy的一群傀儡啊。学生不再忙着为了自己研究方向或是选定的论文而焦头烂额，处心积虑。替代它们的是导师不断下达的外来的硬性任务。这些廉价的劳动力被随意的呼喝着，调拨着。但是悲惨的是，无论名誉或者金钱都落入了导师的私囊。忙糊了半天，他们也是竹篮打水一场空。而那些被誉为传道解惑的人，继续心安理德，在光环的保护下，扭曲着自己丑恶的嘴脸。不再花费心思去考虑徒儿的学业和术业的专攻，还恬不知耻的将自己可怕的自私行为美化为“新时代传道者的必经之路”。当我问及到几位知名专家的时候，他们的回答都令我咋舌。原来在他们的眼中，让学生们没黑没夜、甚至暂时撇开手中的，为他们完成那些“私活”，是一种积极的先进的教学态度。学生们可以从中学习到很多宝贵的实际操作经验，为他们从学生到社会人的转型打好坚实的基础。“一般人我还不告诉他！” 他们已经对于这样的现象见怪不怪，更让我觉得无法容忍的是他们理所当然的心情。学生就是应该任劳任怨，无所奢求地为他们的导师完成一切，以此来报答对他们的“操劳、关心、培养”。

 

“已经对此麻木，作为一个社会人只有选择适应，否则面对的既是残酷的淘汰。”在几次访谈中，我感到他们无力的挣扎，和内心强烈的呼唤。在这个高度追求民主，消除阶级歧视的现在生活中，诸如此类的现象屡见不鲜。不过，只是一种正常的表现。一种文明发展进化的过程是需要很长时间以及持之以恒的外力去推动的，更何况这样这种文明根深蒂固的存在了几千年。比起我们的先辈们，我们更加能深刻体会到发展所带来的变化，是积极还是消极的，我们无从辨别，但是历史的车轮从未停止过转动，留下了一段绵延不绝但是历历在目的印记。

如果从你座位前的电脑上 看上面的图片 

左边的脸 是生气的脸 而右边的脸 是平静的脸 

但请你起立 往后走3~5步 

突然间 他们交换位置了!! 

这个幻觉图片是由Glasgow大学的Phillippe G.Schyns and Aude Oliva所设计

由此证明, 我们可能从来没看到过事情的真正面貌。。。

看出来了别忘了回到座位上，呵呵 

I dont like Bush, not becuase he's a hypocritical icon of US's presidency, but because it's a term of wooden block.

 

 

 

 

 

 

 

 

Angelica Cheung, editorial director of Vogue China, clasps an interview with Style-International Herald Tribune, and unveils her new elements about how to evolve her precious mag.

 

This previously editorial director of Ella China, 38yr-old, conceptualized by IHT as a "tastemaker" was farting about the Chinese fashion in her quotation-----

"I like something modern with a Chinese touch but I don't want to see cheongsam, long robes or any of these clichés. The last thing Chinese want is to look like their grandmothers. "

 

Fashion critics are supposed to be hypercritical, so judgmental, and sharp-eyed and intuitive and sensitive and likewise, coming first is their attitude of neutrality. This is what those trendy's defined in my dictionary.  Angelica Cheung, oops, is exceptionally undefined with respect to my terminology since she paints herself into corner as a sacrifice of her self-arrogance to mistake Chinese traditional fashion, her stupid Grandmother Standing by Clichés Principle.

 

It arises my contemplation to the divergence between Cliché and Retro. Cliché is something like an exhausting flower withering away and committing death eventually for ever. Either brilliant or pathetic, it will be buried under the history and irretrievable. Fortunately, the picture of retro scenario oppositely resembles a rose weathering in the rigid winter, and stunningly rebreathing the zenith of its blossom in the next spring. Cheongsam, long robes or those "clichés" may be going through an uplifting retro, not really sealed as cliché as undervalued by this short-sighted 38yr-old out-of-vogue lady.

 

Keeping eyes on Jennifer Aniston in Friends and Sarah Jessica Parker in Sex and City, two recognized fashion icons are adorned with black-color plum-blossom-pattern satin-fabric form-fitting Cheongsam in the play, symbolic of fabulous New York’s crush on Chinese old “Grandmother” fashion. It is not the Chinese-specific any more, but cosmopolitan. Grandmother has successfully transformed into Ms. Gorgeous in the hands of Lavin, Dolce & Gabbana, Gucci, Channel and the- like, and shinning in various spring-summer and autumn-winter fashion stages.

 

As far as Fashion is concerned, no one has any exclusive authority to determine where it should be get hitched except itself, even for John Glliano or Jean Paul Guatier. Every single animal can be paving its personalized world of fashion, whether mainstream or marginal. Nevertheless, personalizing doesn’t mean alienating because alienating results in ostracizing. In this consequence, fashion is a night-blooming cereus, flashing its glory and become the tragic history for long and ultimately a cliché out and out.

 

In short, cliché or retro, fashion talks, not some else.